Pamela Geller's critics ignore that radical Islam's death threats over the past decade have already cut huge swath out of American free speech-Victor Davis Hanson (2010 Seattle Weekly Mohammed cartoonist went into hiding and changed her name as advised by FBI)

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In April 2010, Comedy Central censored South Park after an Islamic death threat against the show's creators. Responding to censoring of South Park, Seattle Weekly cartoonist Molly Norris created an "anti-censorship cartoon" for "Everyone Draw Mohammed Day." She became a "prime target" for execution by Islamists, and FBI suggested she go into hiding and change her identity. Molly Norris no longer legally exists. Her cartoon.

5/12/15, "The First — and a Half — Amendment," Victor Davis Hanson, NRO

"In 2012 an obscure Egyptian-born videomaker, Nakoula Nakoula, made an amateurish Internet video criticizing Islam. Innocence of Muslims went global and viral. Violent demonstrations in the Islamic world followed. In an effort to placate Muslims, the Obama administration falsely blamed Nakoula’s video for the storming of the American consulate in Benghazi. Leading the Obama pack was the opportunistic secretary of state, Hillary Clinton, who saw in Nakoula a convenient fall guy to explain away U.S. security lapses in Libya. In reality, the killing of Americans there was the preplanned work of an al-Qaeda terrorist affiliate that took advantage of absent-minded U.S. officials. No matter. President Obama scapegoated Nakoula at the United Nations — a majority of whose members ban free speech as a rule — with pompous promises that the prophet would not be mocked with impunity in the United States of America. Nakoula was suddenly arrested on a minor parole violation and jailed for over a year. No one seemed to care that the unsavory firebrand Egyptian had a constitutional right while legally resident in America to freely caricature any religion that he chose. 

The IRS under career bureaucrats like Lois Lerner targeted non-profit groups on the basis of their perceived political expression. The best strategy now for stifling free speech is to arbitrarily substitute the word “hate” for “free” — and then suddenly we all must unite to curb “hate speech.” The effort is insidious and growing, from silly “trigger warnings” in university classes about time-honored classics that trendy and mostly poorly educated race/class/gender activists now think contain hurtful language and ideas, to the common tactic of shouting down campus speakers or declaring them to be dangerous “extremists” who traffic in “hate speech” if their politics are deemed insufficiently progressive.
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More recently, the anti–sharia law activist Pamela Geller organized a conference of cartoonists in Texas to draw caricatures of the prophet Mohammed — in the fashion of the Paris cartoonists who were killed at the offices of the satirical magazine Charlie Hebdo. As in the French case, jihadists showed up to murder the cartoonists. This time, however, two brave and skilled local Texas policemen stopped their attempts at mass murder. What followed the botched assassination attempt, however, was almost as scary. Commentators — both left-wing multiculturalists and right-wing traditionalists, from talk radio and Fox News to MSNBC and Salon — blasted Geller for supposedly stirring up religious hatred. 
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Geller, and not the jihadists who sought to kill those with whom they disagreed, was supposedly at fault. Her critics could not figure out that radical Muslims object not just to caricatures and cartoons, but to any iconographic representation of Mohammed. Had Geller offered invitations to artists to compete for the most majestic statue of the Prophet, jihadists might still have tried to use violence to stop it. Had she held a beauty pageant for gay Muslims or a public wedding for gay Muslim couples, jihadists would certainly have shown up. Had she offered a contest for the bravest Islamic apostates, jihadists would have galvanized to kill the non-believers. Had she organized a support rally for Israel, jihadists might well have tried to kill the innocent, as they did in Paris when they murderously attacked a kosher market.  
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Geller’s critics also do not understand that radical Islam has already cut a huge swath out of American free speech through more than a decade of death threats. Ever since 9/11, they have largely succeeded by demanding special rules for public discourse about Islam in a way accorded no other religion. Disagree, and one is branded “Islamophobic,” as that now-ubiquitous buzzphrase “hate speech” magically pops up. Of course, when other so-called artists have desecrated Christian images, they operated on the belief not just that they would not be harmed, but that, as in “Piss Christ,” they would actually be subsidized by the U.S. government. One wonders what the current apologists would have said about Nazi book burning. Did not Freudian writers and modern artists grasp that their work would offend traditional National Socialists who sought only to bring back balance to artistic and literary expression? Why then would they continue to produce abstract paintings or publish Jungian theories about sexual repression, when they must have known that such works would only provoke blood-and-soil Nazis? 
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And had Jews just left Germany en masse by 1935 or gone into hiding, would not Hitler have cooled his anti-Semitic rhetoric? Why did some Jews insist on staying in a clearly Aryan nation, when they must have known that their ideas — indeed, their mere presence — could only provoke Nazis to violence?
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Apparently there is no longer a First Amendment as our Founders wrote it, but instead something like an Orwellian Amendment 1.5, which reads: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press — except if someone finds some speech hurtful, controversial, or not helpful.” Cowardice abounds. When artists and writers mock Mormonism in a Broadway play like the Book of Mormon or use urine or excrement to deface Christian symbols, no Christian gang seeks to curb such distasteful expression — much less to kill anyone. Every religion but Islam knows that its iconography is fair game for caricature in the United States; none sanctions assassins. Jihadists seek to make this asymmetry quite clear to Western societies and thereby provide deterrence that gives Islam special exemption from Western satire and criticism in a way not accorded to other religions.
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And they are enabled by Westerners who prefer tranquility to freedom of expression. Among those who attack free expression the most loudly are progressives who do not like politically incorrect speech that does not further their own agendas. The term “illegal alien,” an exact description of foreign nationals who entered and reside in the United States without legal sanction, is now nearly taboo. The effort to ban the phrase is not because it is hateful or inaccurate, but because it does not euphemistically advance the supposedly noble cause of amnesties and open borders. 
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Of course, the politically correct restrictionists have no compunction about smearing their critics with slurs such as xenophobe, racist, or nativist. If a Christian cake decorator does not wish to use his skills to celebrate gay marriage — an innovation that both Hillary Clinton and Barack Obama opposed until very recently — on a wedding cake, then he is rendered a homophobe who must be punished for not using his artistic talents in the correct way. 
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Note that we are not talking about nondiscrimination concerning fundamental civil rights such as voting, finding housing, using public facilities, or purchasing standard merchandise. Meanwhile, are we really prepared to force gay bakers to decorate Christian wedding cakes with slogans that they find offensive or homophobic? Or to insist that an Orthodox Jewish baker must prepare a cake for a Palestinian wedding featuring a map of the Middle East without Israel? Or to require a black-owned catering company to cook ribs for a KKK group? Instead, radical gays demand the exclusive right to force an artist — and a cake decorator is an artist of sorts — to express himself in ways that they deem correct. Without free speech, the United States becomes just another two-bit society of sycophants, opportunists, and toadies who warp expression for their own careerist and political agendas. 

How odd that we of the 21st century lack the vision and courage of our 18th-century Founders, who warned us of exactly what we are now becoming."
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Two examples in 2010 of Americans censoring their speech after death threats by Islamists. One person went into hiding and changed her name on advice of the FBI. Her cartoon here:

9/16/2010, "'Draw Muhammad' cartoonist MOLLY NORRIS changes name, goes into hiding at FBI's insistence," Washington Post, Michael Cavna

"Seattle Weekly announced Wednesday that it will no longer run Molly Norris's artwork. The newspaper is also reporting that legally, there is no more "Molly Norris."

Norris -- the Seattle-based illustrator whose cartoon sparked "Everybody Draw Muhammad Day!" earlier this year and a subsequent fatwa against her -- has gone into hiding and changed her name at the guidance of the FBI, reports the Seattle Weekly, which says:

"The gifted artist is alive and well, thankfully. But on the insistence of top security specialists at the FBI, she is, as they put it, 'going ghost': moving, changing her name, and essentially wiping away her identity. She will no longer be publishing cartoons in our paper or in City Arts magazine, where she has been a regular contributor." 

Seattle Weekly also says that the artist likens the situation to cancer -- the threat could be benign, it could be more serious and sudden.

Comic Riffs had last communicated with Norris in July. Update:On Thursday, Comic Riffs was able to contact the artist, who directly confirmed the report.

Several months ago, FBI officials alerted Norris to what they were treating as a "very serious threat," according to a report. At that time, Yemeni-American cleric Anwar al-Awlaki said that Norris was a "prime target" for execution and that her "proper abode is hellfire."

Awlaki, a New Mexico-born 39-year-old, has been called arguably the highest-profile English-speaking supporter of violent jihad. He has been linked to the recent Times Square bombing attempt and reportedly inspired Texas's Fort Hood massacre.

Norris drew her "Everybody Draw Mohammed Day!" cartoon in April in response to Comedy Central's editing of its program "South Park" and the animated show's attempts to depict Muhammad -- and to satirize reactions to any effort to ridicule Muhammad.

On April 25, shortly after Norris created her "anti-censorship" cartoon, Comic Riffs broke the news that Norris was distancing herself from the illustration: 

"I made a cartoon that went viral but [this campaign] isn't really my thing," Norris told Comic Riffs. "Other folks have taken it over." 

On May 19, Norris told Comic Riffs that she attended a Seattle-area "Seerah Conference that was started by a local mosque four years ago after the Danish cartoon debacle. The folks there had to babysit me because I was so upset by this whole viral phenomenon."

Several months ago, Norris's April YouTube video of her explanation for the cartoon was "removed by the user." In that video, Norris apologized to "everyone of the Muslim faith who has or will be offended" by her cartoon and supported calling off "Everyone Draw Mohammed Day," which was staged May 20. She also urged America's Muslims and non-Muslims to come together -- to meet "halfway.""



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Comedy Central censors South Park after Islamic threat:
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April 23, 2010, "‘South Park’ producers say network cut fear speech," AP, David Bauder, via Seattle Times

"A radical Muslim group warned that they could be killed for insulting the Prophet Muhammad."...
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Mark Steyn: Comedy Central caving to death threats incentivized Islamic violence: 
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4/24/2010, "Tea Party the new front in 'war on terror'," Mark Steyn, Orange County Register 
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"Meanwhile, Comedy Central – you know, the "hip" "edgy" network with Jon Stewart from whom "young" Americans under 53 supposedly get most of their news – just caved in to death threats. From a hateful 83-year-old widow who doesn't like Obamacare? Why, no! It was a chap called Abu Talhah al Amrikee, who put up a video on the Internet explaining why a "South Park" episode with a rather tame Mohammed joke was likely to lead to the deaths of the show's creators. Just to underline the point, he showed some pictures of Theo van Gogh, the Dutch film director brutally murdered by (oh, my, talk about unfortunate coincidences) a fellow called Mohammed. Mr. al Amrikee helpfully explained that his video incitement of the murder of Matt Stone and Trey Parker wasn't really "a threat but just the likely outcome." All he was doing, he added, was "raising awareness" – you know, like folks do on Earth Day....

Faced with this explicit threat of violence, what did Comedy Central do?

Why, they folded like a Bedouin tent. They censored "South Park," not only cutting all the references to Mohammed but, in an exquisitely post-modern touch, also removing the final speech about the need to stand up to intimidation. Stone & Parker get what was at stake in the Danish cartoons crisis, and many other ostensibly footling concessions: Imperceptibly, incrementally, remorselessly, the free world is sending the message that it is happy to trade core liberties for the transitory security of a quiet life. That is a dangerous signal to give freedom's enemies. So the "South Park" episode is an important cultural pushback....

In the end, Comedy Central has incentivized Islamic violence and nothing much else."
 

 

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